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| Designed by Jeff Levine, Movie Matinee JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
A 1926 trade ad for the silent comedy “The Nut-Cracker” starring Edward Everett Horton has the film’s title hand lettered in a decorative bold sans serif design complete with highlight lines and accent dots.
This festive type face is now available digitally as Movie Matinee JNL in both regular and oblique versions.
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| Designed by Jeff Levine, Movie Nouveau JNL is an art nouveau and display font family. This typeface has two styles and was published by Jeff Levine Fonts. |
A 1920s magazine featuring behind-the-scenes stories about the motion picture industry had its name [“Shadowland”] lettered in an Art Nouveau sans serif style.
This has been recreated digitally as Movie Nouveau JNL, and is available in both regular and oblique versions.
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| Designed by Jeff Levine, Movie Set JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The hand lettered title on the poster for the 1929 film comedy “Why Leave Home?” inspired Movie Set JNL, which is available in both regular and oblique versions.
A classic “thick-and-thin” design with early Art Deco influences, this condensed typeface is perfect for any period projects.
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| Designed by Jeff Levine, Movie Show JNL is a wood type font family. This typeface has two styles and was published by Jeff Levine Fonts. |
A 1911 movie poster for a film called “How Bella Was Won” from the Edison studios had the name “Edison” hand lettered in a bold, spurred sans serif design.
These few letters became the basis for Movie Show JNL, which is available in both regular and oblique versions.
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| Designed by Jeff Levine, Sales Convention JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
In its heyday, the Starlight Room of the Waldorf-Astoria in New York City quite frequently printed lunch and dinner menus for not only their rotating bill of fare, but also for special events held there.
The 1937 Electrolux (Eastern) Appreciation Banquet has its own menu cover, and the lettering was in a simple, yet Art-Deco influenced condensed block design with squared features.
This simple and quirky typeface has been digitally redrawn as Sales Convention JNL, and is available in both regular and oblique versions.
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| Designed by Jeff Levine, Show Card Elite JNL is an art nouveau and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
One example in the 1919 instructional book “One Hundred Alphabets for the Show Card Writer” was for an elegant sans serif with a subtle Art Nouveau style to the letter forms.
This is now available digitally as Show Card Elite JNL in both regular and oblique versions.
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| Designed by Jeff Levine, Show Card Pen JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The 1920 edition of “How to Paint Signs and Sho’ Cards” by E. C. Matthews offered a number of examples of then-modern lettering styles for sign painters and show card writers.
A bold display alphabet made with a round lettering nib is now available as Show Card Pen JNL, in both regular and oblique versions.
Designed by Teo Tuominen, Erik Bertell and Emil Bertell, Imagist is a display serif font family. This typeface has twelve styles ...
